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This $1.1M “Floating” Houston Home Was Inspired by a Nearby Freeway

Set on a massive cantilevered slab supported by concrete pillars, the residence has serene interiors and a roof deck with skyline views.

Location: 3308 St Emanuel Street, Houston, Texas

Price: $1,100,000

Year Built: 2008

Architect: Ronnie Self

Footprint: 1,856 square feet (2 bedrooms, 1 bath) 

Lot Size: 0.16 Acres 

From the Agent: “The Saint Emanuel House has become an iconic symbol of Houston’s bustling Third Ward. Architect Ronnie Self designed the home to celebrate the relationship between architecture, nature, and urban life. The home mediates between two contrasting environments—an urban downtown skyline and a traditional residential neighborhood. Its elevated design and use of concrete walls and columns allow it to interact with both the freeway and the more serene neighborhood with sensitivity. The area beneath doubles as an outdoor living space, a welcome reprieve from Houston’s summers! The cantilevered slab references nearby elevated freeway ramps, creating a sense of continuity with the surrounding infrastructure while establishing a sense of place within a larger urban context. The interior offers floor-to-ceiling views of downtown, while the bedrooms are oriented toward the expansive garden of native plantings. You will love the panoramic views from the roof deck!”

The home sits off Interstate 69 in Houston’s third ward, bordering a residential neighborhood.

TK Images for Martha Turner Sotheby’s International Realty

TK Images for Martha Turner Sotheby's International Realty

TK Images for Martha Turner Sotheby's International Realty

See the full story on Dwell.com: This $1.1M “Floating” Houston Home Was Inspired by a Nearby Freeway
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A Backyard in Norway Gets a Ship-Shaped Addition

Its boat-like outline is formed by a log facade with two opposing structures: one is a tree house–esque hideaway, and the other holds a kitchen, dining area, and bathroom.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Solliveien, Asker, Norway

Architect: Rever & Drage / @reverdrage

Footprint: 323 square feet

Builder: Løfte AS and Lervike AS

Photographer: Tom Auger

From the Architect: “The Folly in Solliveien, Norway, stands in the middle of an elongated garden, adjacent to a large old oak tree. It marks the transition from the everyday hustle and bustle surrounding the residential building at the eastern end of the plot to the tranquility of the pastoral western end. As such the building also encapsulates a literal gate as part of its eastern wall. Stepping across the threshold leads you into a more serene setting.

“This building is not purely decorative or entirely nonfunctional. While its appearance certainly transcends its practical purpose and exceeds the scope of conventional garden structures, the main volume still houses functional spaces. These include a dining room with an adjoining kitchen and a bathroom. The bathroom features a sauna, a bathtub, and an outdoor shower.

“The smaller, leaning structure opposite the main volume contains a small lounge with a glass roof, allowing visitors to gaze up at the sprawling branches of the oak tree. This secluded, quiet space evokes the charm of childhood tree houses and secret hideaways. Seclusion is achieved through fixed glass roof panels for daylight and views, while a wooden hatch provides ventilation and serves as an emergency exit.

“From the eastern approach, the folly presents a elegant silhouette, which contrasts with the solid materials and historical connotations of its log construction. The slim, smooth oak panels juxtapose the stout, rough logs. The volumes simultaneously converge on the gate and stretch away from it, opening up to the impressive oak that dominates the scene.

“From the pastoral west, the building takes on the appearance of a warm embrace, creating a sunny nook for cozy afternoons. Thus, offering a moment of respite before you cross the threshold back into the challenges of everyday life.”

Photo by Tom Auger

Photo by Tom Auger

Photo by Tom Auger

See the full story on Dwell.com: A Backyard in Norway Gets a Ship-Shaped Addition
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Sofa Sagas: It Took Three Moves in Three Years to Find the Right Couch For Me

After a lot of trial and error, I learned a very important lesson about furniture: if it makes you happy, that’s all that matters.

Welcome to Sofa Sagas—stories about the circuitous search for a very important and occasionally fraught piece of furniture.

If there’s one thing I’ve learned from three moves in three years, it’s that sofas are more than just furniture. They’re a declaration—of space, of priorities, of how you want to live. They are also, as I found out, a crash course in self-discovery. What started as a series of pragmatic, even rushed, purchases ended with the kind of realization I wish I had years ago: when it comes to picking the centerpiece of a living room, forget what looks best or what works for guests. The only thing that really matters is what works for you.

The apartment-size compromise

My first real foray into couch ownership was purely logistical. I had just moved into an old apartment with a floor plan best described as quirky. The building, like many in Brooklyn built in the early 1900s, was full of charm, but also full of pitfalls—slanted hardwood floors, a bathroom in a skylight (yes, you read that correctly—our bathroom was IN a skylight), and doors seemingly designed for people who had never considered moving furniture in or out. After an unsuccessful day of attempting to shove a dream sofa from West Elm through the front door, which, in the process, made a giant hole in the wall—oopsie!—then through a second-story window—my partner Josh and I conceded defeat. We sent the delivery people home with the sofa. The only solution for tiny doors and a huge living room? A modular couch that could be assembled inside the apartment.

But here’s the thing about sofas: you don’t really know how you feel about one until you’ve lived with it.

Enter the Lovesac Sactional, a sectional that promised ultimate flexibility. Its claim to fame was that you could configure it however you wanted, wash the cushion covers or change them out whenever you felt like it, and—crucially—it arrived in pieces, making it the only real option for our space. At first, it seemed like a perfect fix. The cushions were firm, the lines clean, and the light-colored fabric brightened up the living room. It wasn’t my dream couch, but it was functional.

But here’s the thing about sofas: you don’t really know how you feel about one until you’ve lived with it. And over time, I realized that what had started as a practical choice became an everyday annoyance. The cushions, advertised as firm but “comfortable,” were more like sitting on a slightly padded wooden bench. The light fabric? A magnet for stains and evidence of every snack we ever ate while watching TV. And while it was technically modular, the ottoman, which we had improvised from an interior seat, never quite felt cohesive—it was like a little floating island that only stayed in place because we constantly pushed it back together.

When we moved out of that apartment during the pandemic, we were ready to leave the Lovesac behind. Instead, it was demoted to the basement of our next apartment, where it became a crash pad for TV marathons, hidden away like a secret we didn’t want guests to see.

The Instagram-worthy mistake

For our second move, I decided to prioritize aesthetics. We had found our dream apartment, and I wanted a dream couch to go with it. We had more space and normal-sized doors, and I was determined to get a sofa that would never show stains—a sofa as good as the ones I obsessively saved on Instagram. That’s how I landed on the Floyd Sectional—a sleek, minimalist beauty that seemed to embody the modern, put-together home I wanted to create.

There was just one problem: I had never actually sat on one before buying it.

Floyd, like many trendy furniture brands, operates largely online, which means there was no way to test it out. And even if there had been a showroom, we were still deep in the pandemic, when everything had to be purchased online for safety reasons. I scoured reviews, watched unboxing videos, and convinced myself that it must be comfortable. And for the first few weeks, I told myself it was. The low-profile design made the living room feel spacious, and its deep blue color gave the space a sophisticated, editorial feel. But then, the cracks (or rather, the gaps) started to show.

Quite literally.

The sectional’s pieces had a maddening tendency to drift apart at the slightest movement. The little alligator claws meant to hold it together did nothing of the sort, creating a chasm between seats that swallowed remote controls and made lounging feel like an extreme sport. No matter how much we adjusted it, the pieces were always slowly sliding apart like tectonic plates slowly shifting before an earthquake. It was a couch that looked stunning in photos but was a disaster in practice—perfect for Instagram, terrible for real life.

Worse, it wasn’t actually comfortable. Sure, it had better padding than the Lovesac, but the seats were oddly firm, horrible for naps. It was the kind of couch you picked for guests—not for yourself.

After a year, I was over it. We were forced to move out of our dream apartment thanks to a nightmare set off when the 75-year-old garden center next door was sold to developers. That sale triggered a full-blown chain reaction: rats moved into our walls (yes, we could hear them skittering above our heads at night), our landlords got into it with the developers, and construction trucks began rolling up in front of our bedroom between 4 and 5 a.m. daily. Then came the final straw—a hasty notice that we’d need to vacate for an unspecified amount of time so they could demo the basement to fix structural damage. So, naturally, we packed up, took the Floyd, and donated the basement Lovesac to family members who needed a couch. Only in New York, right? 

The one that finally felt like home

By the time we were shopping for our third sofa in almost as many years, the Floyd was causing actual arguments in our relationship. It was far too big for our new, much smaller apartment, and we had to reconfigure the sofa—turning a freestanding side piece into an ottoman so it would fit in our space. Often, we fought over who got the “lay down spot”—the only place where you could stretch out comfortably and watch TV without cricking your neck.

For our next couch, we had one nonnegotiable that we both agreed on: comfort. I didn’t give two figs if the couch looked like it belonged in an interior design magazine. I didn’t care what guests thought when they walked into our living room. I wanted a sofa that we could sink into at the end of the day, one that didn’t require constant adjusting or fighting for the “lay down spot.”

Ironically, after all of our trial and error—and lots of internet deep dives for options that ticked both the comfort and the price range box—we found ourselves back at the Lovesac showroom. A full-circle moment. But this time, we made better choices. Instead of defaulting to what was most practical or what looked best, we went all in on what actually felt good.

This time, we got upgraded soft cushions. We went with a slanted-back chair, optimal for reclining. We opted for a darker, stain-resistant fabric in blue chenille (because we finally accepted that we will, inevitably, spill wine on the couch). And, most importantly, we configured it as more of a daybed double lounger. (Lovesac calls it a “movie lounger” configuration—essentially a double ottoman so two people can stretch out while watching TV.) It made a coffee table in front of the couch impossible, but who needs one when you can fully stretch out? Our West Elm coffee table now lives beside the couch instead of in front of it, which I know is unorthodox, but it’s a compromise I’m more than happy to make.

It’s not the most conventionally stylish setup, but it’s the first couch that I truly love. No more fighting over the comfy spot—every seat is a comfy spot. No more reassembling pieces after they float away. For the first time, I have a sofa that actually makes me happy.

What I learned about sofas (and myself)

Looking back, I realize that my sofa journey was really about learning to prioritize my own needs. In the beginning, I chose a couch based on what was convenient. Then, I chose based on what I thought looked best. Only on the third try did I choose based on what actually mattered: my comfort.

It’s a lot like choosing a career. At first, you might go for the job that sounds the most prestigious—the one that looks impressive on LinkedIn, makes for good small talk at parties, or aligns with what other people expect of you. But after a while, you realize that none of that matters if you don’t actually enjoy the work. You’re the one who has to show up every day, deal with the demands, and live with the long-term impact of your choices. A couch is the same way. You can pick one based on what seems stylish or what you think others will admire, but at the end of the day, you’re the one who has to sink into it.

So if you’re picking a couch, here’s my hard-won advice: Forget what looks good on Instagram. Forget what your friends and family might think when they visit—they’ll deal. Buy the couch that makes you happy every single day. You won’t regret it.

Illustration by Silvia Reginato

Related Reading: 

My Dream Sofa, the Couch Doctor, and Me

My Exasperating Odyssey to Find the Perfect (Not Gray) Couch(es

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Budget Breakdown: An Architect Couple Revamp a “Horror Show” for $191K

It looked like a haunted house, but Jean Wang and Alex Warnock-Smith weren’t afraid to live in a fixer-upper as they renovated it throughout the pandemic.

It looked like a haunted house, but Jean Wang and Alex Warnock-Smith weren’t afraid to live in a fixer-upper as they renovated it throughout the pandemic.

While most couples dream of charm and curb appeal, Alex Warnock-Smith and Jean Wang landed on the ugliest house on the street in Finchley, North London—and they couldn’t have been happier. With its drab, browny-gray pebbledash facade and a timber porch on the brink of collapse, it looked more like a haunted house than a welcoming family home. “Inside was even worse,” Alex says with a laugh. “A proper horror show.” 

But the bones were there: wider-than-usual proportions, soaring ceilings, and a four-bedroom layout. It had been sitting unloved on the market, and they snapped it up before anyone else could see its potential.

Before they bought it, Alex Warnock-Smith and Jean Wang’s home was the eyesore of the neighborhood. The architects spent £2.5K clearing the front garden and laying stepping stone paving slabs to create a side entry gate. The plants, were thoughtful hand-me-downs from neighbors and family gardens. A standout feature of the home, the original bay window is both functional and visually striking. It allows light to flood the living room, creating a bright and airy atmosphere, while its classic design remains true to the home’s original aesthetic.

Before they bought it, Alex Warnock-Smith and Jean Wang’s home was the eyesore of the neighborhood. The architects spent £2.5K clearing the front garden and laying stepping stone paving slabs to create a side entry gate. The plants, were thoughtful hand-me-downs from neighbors and family gardens. A standout feature of the home, the original bay window is both functional and visually striking. It allows light to flood the living room, creating a bright and airy atmosphere, while its classic design remains true to the home’s original aesthetic.

Photo by Kilian O’Sullivan

The plan was to move in straight away and renovate slowly. “We figured it would be messy but manageable,” says Jean. They had two young kids, full-time jobs (Alex is director of Urban Projects Bureau; Jean is a landscape designer at the same firm), and just enough optimism to believe they could make it work.

Then the pandemic hit. 

“Suddenly, we were working from home, the kids were out of school, and the place was a literal building site,” says Jean. They shuffled between rooms like human Tetris, sleeping in the kitchen one week, the back room the next. “The kids were in the living room with a hole in the wall and no heating,” says Alex. “It was grim. But also…kind of exhilarating?”

Alex and Jean meticulously refurbished the home’s doors and coving. For the couple, retaining as many original elements as possible was a priority, though they did have a budget in mind.

Alex and Jean meticulously refurbished the home’s doors and coving. For the couple, retaining as many original elements as possible was a priority, though they did have a budget in mind.

Photo by Kilian O’Sullivan

Alex and Jean filled the living area with furniture from their previous homes. New double-glazed timber-sash windows and custom shutters—a £38,000 splurge—flood the space with light.

Alex and Jean filled the living area with furniture from their previous homes. New double-glazed timber-sash windows and custom shutters—a £38,000 splurge—flood the space with light. 

Photo by Kilian O’Sullivan

See the full story on Dwell.com: Budget Breakdown: An Architect Couple Revamp a “Horror Show” for $191K
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